CHRONOS FOR KAIROS (Copenhagen, Denmark, 2017)

Preparatory resonant sketch for The Here And Now – the continuation of a poetic self to be manifested collectively as teaching staff of the upcoming immersive performative project Sisters Academy – Boarding School at Den Frie Udstillingsbygning (København, DK) in the fall of 2017.

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40 beats per minute is a common enough heart rate when asleep. A little low but still normal, especially for a trained though exhausted body. The living heart is in constant motion, not exactly translating and rotating like a planet does, but close enough. This measure can be measured as a rhythmic repetition in sequential time. 

The ancient Greeks had two names for time. Chronos refers to measurable time, from past to future, the numbering of the days, a line, a sequence. Kairos refers to the instant, the moment of opportunity where action ignites consequence and change happens. If that moment is seized. If not, it belongs to chronos, the cannibal. 

Kairos also refers to the moment in archery when the tension of the bow achieves the maximum and the arrow is released. Or in weaving, when the wooden shuttle passes between the threads tied taut in the loom.

The Here And Now is of kairos but entangled in chronos. Aren’t we all?

THE HERE AND NOW AGAIN (Reykjavík, Iceland, 2016)

An immersive performance collaborative experiment, investigating strategies for sensuous embodiment in artistic and pedagogical processes. The Here And Now Again was the continuation of my poetic self manifestation, in a continued artistic research engagement with the Sisters Academy, this time an takeover intervention taking place at the Reykjavík School of Visual Arts, during a two week period in October 2016. Apart from co-authoring the transformation of the space, my participation consisted of a series of one-to-one performative encounters with students and staff, exploring improvised compositional techniques, rhythm pattern awareness, and shared sensorial expansion.

(photo credit: Eduardo Abrantes)

mobility_programme_horizontal-1 kopi

HOLLY ROLLERS (Copenhagen, Denmark, 2016)

Holly Rollers – 6# in “Some Days Series” – a series of short situated sound experiments. Copenhagen, April 2016.

A series of every day actions and sound impressions gathered from the place called neighbourhood. Holly Rollers brings almost-melodies into contact with a deep-layered awareness of the surrounding rhythms, and the strange closeness of anonymity between those inhabiting them. It explores eavesdropping as a creative strategy.

(photo credit: Eduardo Abrantes)

SOME BODY IN THE LANDSCAPE (AND THERE WERE OTHER BODIES) (Mooste/Tallinn, Estonia – Stockholm, Sweden, 2015)

SOME BODY IN THE LANDSCAPE (AND THERE WERE OTHER BODIES) (Mooste/Tallinn, Estonia – Stockholm, Sweden, 2015)

Sound piece composed of voice and manipulated field recordings captured in Mooste and Tallinn, Estonia, during March 2015, and edited in Stockholm and Lisbon during May 2015. Some Body in the Landscape builds upon the impressions of the wandering mind and ear, and deals with pathos and improvisation both in dialogue and in the context of performative intervention in the immersive presence in the surrounding landscape. Commissioned by the interdisciplinary online platform ESC:ALA, (escalanarede.com), the full curated piece is accessible here